DOGBIKER

I finally used the embroidery module on my new Bernina 770.

I had to make the lines of the lino print of my Dogbiker more solid in Photoshop.  That took hours.

Then I imported it into my free for a month copy of Bernina's Embroidery software and turned it into an embroidery file that my machine could read and interpret.

After a few missteps, I got it done. 

STARTED THE CHRISTMAS CARD FOR 2014

I got out my sketchbook with every intention of drawing an owl for this year's Christmas card.  As I was flipping through the sketchbook, looking for a blank page, I spotted this cute little tree that I had sketched several years ago.  I fell in love with it and decided it needed to be this year's image.

I got out a linoleum plate, 4.5" by 6" and drew the tree on it and started carving.

I then realized I didn't have a jig for this size plate and card.  So, I got out a piece of mat board and drew the registration lines and cut a hole for the plate, then covered it with clear plastic Contact paper.  I learned this trick in some class I took years ago, great idea.  It's inevitable that while printing I will get ink on the registration jig, and wrapping it in plastic Contact paper makes it very easy to keep clean.

Cut out enough Contact paper to wrap the front and the back.  This makes the mat board jig wipe-able, in case you get a little ink on it.

Cutting the plastic Contact paper from the plate hole.  I cut it corner to corner, forming triangles.  Then I fold it onto the back.

Finished jig, with registration lines and notes so I don't get confused about what goes where.

I noticed the linoleum plate had fuzzies around the edges from the backing.  I trimmed it off as best I could with scissors.  It will probably keep fraying, so I coated it with acrylic gel medium.

I also got all the paper cut for the cards, too, but I forgot to take pictures.

I'm ready to start printing tomorrow.

29 FACES - NUMBER 11

Someone challenged me to take one of my little sketches and turn it into a print.  I've been thinking about it for quite a while and putting it off.  Now seemed like a good time to experiment.

CARDINAL PRINT FOR CHRISTMAS CARDS

It's that time of the year again, time to make a Christmas card.

In the past, it's always a problem trying to get a good print on heavy card stock, for several reasons. So, this year I'm making a print separate from the Christmas card, and then I'll attach it to the card in someway that it will be easy to remove.  That way, if people want to keep just the print, maybe even frame it, they can.

Its going to be a bird print, in honor of seeing my first Cardinal while we were in Kentucky this year.  Beautiful birds, and it should be easy to make a distinctive print.

Drawing is done (that was the hardest part) and transferred to lino-block.

Carving of the drawing is done.

Time to print.

I printed a few of the drawing block, cleaned it up a bit, then transferred it to another lino-block and carved out the 'color' block.

This will be the 'color' block.

Then I got out the inks and stuff.  I'm using Akua Intaglio inks.  I decided on the paper and cut out more than enough, I'm using a nice Japanese paper, Kozo.  I need to make enough prints so that after I winnow out the bad ones I still have enough for my cards.

After I got both blocks cut out and the registration more or less good, I started printing the first run, the color block.

I cheated a little by putting the red and the green on the same block, using a little shield over the green part while rolling on the red.  Then carefully putting on the green - it worked great, one less block to deal with (and all the registration issues that go with that).

A stack of about 66 prints,

End of day one, I've got all the first pass done, yesterday.

Got an early start today, but I had to stop after about 20 prints and go get some pain-reliever before I could continue.  My shoulders and neck are really sore from yesterday, and it was giving me a headache.  But, when the Aleve kicked in, I was feeling great.

I started out using the baren, but it was tearing up the back of the paper and when using a sheet to protect the back I had to press too hard (and my neck did not like that).  So I switched to a wooden spoon.  

This is many as I got done before I had to go get some pain-reliever.

A couple of hours later - I had the 66 prints all done. And I got them done in plenty of time to still be able to take a walk before lunch (in the rain).

Here they are - all done!

MIGHTY MO

Several years ago I participated in a printmaking project, Prints of the Periodic Table of Elements.  Organized by Jenn Schmitt of Massachusetts.
http://azuregrackle.com/periodictable/table/

All of the prints are now on exhibit in Philadelphia at the Chemical Heritage Foundation: "Elemental Matters:  Artists Imagine Chemistry."

Wish I could go!
Here's a link to some photos she took of the exhibit.
http://www.flickr.com/photos/azuregrackle/sets/72157625858725641

I requested and was granted element 42 Molybdenum.

Those of you who know me well will know why I picked this one.  It was irresistible to me for several reasons and I'm so pleased I was able to represent it.

This is a linoleum cut, hand tinted.  I only made a few and sent the best one to Jenn.

CLASSICAL ELEMENTS FINISHED

Finally finished with Four Oceans Press Classical Elements Exchange. Yeah!

I started this project with the idea of portraying the elements as we encounter them today in our urban environments. We have limited exposure to the elements, or have tamed them for our convenience.

This last one, Fire, was the one I had the initial idea about. We seldom use fire in our urban lives. Even cooking, we use heat, not fire; and with the microwave, we don't even use heat!

DAY TWO - AIR PRINT

I got the second color printed today!

I can't go too fast or I'll hurt my neck - running things through the press takes a lot of turns of the press's wheel. I'm going to do one color a day, giving them some time to dry and not pushing my muscles. I gotta tell you, I don't feel guilty not getting them in on time. So far, every exchange I've done with this group I've been on time, only to have to wait and extra month for the stragglers to get theirs in. This time, I'm a straggler. But I should have them in the mail by Monday, only 5 days late.


Here's a great shot of Lucy, busy watching the driveway. She looks so sweet! What a tough life. Lucky dog.

CLASSICAL ELEMENTS - WATER

Here is my second in the series for Four Oceans Press. This is a linocut, using three plates. Run through my Ettan press. The image is 6" by 9" on Rives paper.

Continuing on my theme of Classical Elements in our modern times. When we want water, we turn a faucet and there it is!